Join us for a very special episode where I discuss the label Already Dead Tapes and feature some of their best 2016 and early 2017 releases.
05:05 - Storm Ross – “We Need to Be Fugazi Now, More than Ever” – Welcome, Sunshine
08:35 - Complainer – “Dope” – Floodplain
10:35 - Hit School - “The Way” – Hit School
12:08 - Law$uits – “Playing Dumb” – Mature Moods
16:59 - Tereshkova – “Sunset Sickness” – Dream Automation
19:40 - Pyramidal – “Love Should Be Easy – Come Home
25:40 - Unsung – “Fall from the Vessel” – Young Man
29:00 - Dotson – “Indifference” – Indifference
34:15 - Grimeny – “Guehnwyer” – Die Grobe Enttauschung
40:18 - Coastal Car – “Ultraviolet Light” – Lossless
43:08 - Matthew Squires – “Dead and Dying” – Tambaleo
47:05 - Obody – “Something so Broken” – Is a Bridge / A Ready Place
51:15 - Lost Trail – “To Be Overwhelmed by Vastness” – What if This was All Twilight, Trembling on the Edge of Darkness?
56:05 - Cop Funeral – “Sick of Dreams” – 2 Stressed 2B Blessed
01:00:45 - Fetishes – “Shiryo” – Onryo
I once had a client astutely describe Drake's musical output as "songs that get you hyped, songs that get you in your feelings". I tried to pattern this podcast off of that observation. I also added "songs that blow your miiiiind."
04:05 - Adrian Knight – “Here Come the Blues” – On the Prowl Again (Galtta Media)
07:51 - Cola Necromancy – “Vacation Pamphlets” – Family Vacation (Illuminated Paths)
11:40 - Fenimore – “激怒 __ 謙虚” – ダイヤモンド JIM : 夢を完備 (Illuminated Paths)
17:08 - Koala Bear the Person – “Phantom Limb" - To Panda (Illuminated Paths)
19:33 - Sam Brown – “We Don’t Need Anybody” – Wheel of Fortune (Illuminated Paths)
24:45 - NAH – “May 7th (Feat Moor Mother) – MICHAEL (Self Released)
26:53 - J good. – “Ashenil” – this (Illuminated Paths)
33:15 - Hey Exit – “It Lasts a Very Long Time” – Slow Names 4: The Bitter Scent of Light (Of Plants)
35:00 - Bvdub – “04” – Yours are Stories of Sadness (Sound in Silence)
37:44 - Daniel J. McKenzie – “Unser Blauer Morgen” – Every Time Feels Like the Last Time (Eilean Records)
44:10 - Stabilo – “As Well “ – Andrew (Sound in Silence)
1:04:33 - Expo 70 – “Village of Forst” – Exquisite Lust (Sonic Meditations)
1:11:10 - Magic Arrows - “Coloured Mallard” – Shortwave Now (Illuminated Paths)
1:16:50 - Darsomba - “From Insects to Aliens” – Polyvision (Sonic Meditations)
02:50 - Clara Engel - "1" - Your Halo is a Swarm of Bees (Polar Seas Recordings)
05:00 - Future Museums - "The Golden Hour" - Visible Nest (Keeled Scales)
08:05 - Brave Timbers - "In the Long Grass" - Secret Hope (Sound in Silence)
13:45 - Skittish Arm – “The Outside Inflation (excerpt)” – The Outside Inflation (PSI LAB)
20:31 - Chester Hawkins – “Pale Trees pt. II (excerpt)” - Natural Causes (Intangible Arts)
27:30 - William Cody Watson “Always Bleeding (excerpt)” – PATRIOT (Lime Lodge)
33:30 - Cup Collector - "Are You Watching from the Mountain" - Are You Watching from the Mountain (Fourfold Records)
43:05 - Anatolia’s Finest – “Second Day” Soucouyant (Self-Released)
46:45 - Skag Arcade – “Cambodian Necktie” The Look of Silence (Orb Tapes)
53:05 - Maurizio Grandinetti – “Seek” – Seek (A Tree in the Field)
This was the first sentence from my 2014 review of Snake Hymns, a tape by bus gas.
"After digesting the news this morning, Snake Hymns seemed like a natural choice to ruminate on those feelings that things probably aren't getting better."
2014. That was 2014. I'm not saying I'm a prophet. But...
TBH anyone remotely sentient could portend about international and domestic developments not getting any better. But even at my most pessimistic couldn't have predicted the shit years of all shit years that 2016 was and the oncoming storm we are watching come in as we contemplate the next four.
The feeling of involuntary stasis while watching something thick and black on the horizon coming at you is the #currentmood of Bus Gas's latest on Spring Break Tapes! Live On Leave Us begins with the sidelong "Top Ten Funerals" which serves to explode the unsettling ache of Snake Hymn's electro-acoustic, semi-improvised compositions and instead moves into the longform piece that surges and eddies with swells of static-surfing guitar drones and washes of clarion-clear sustained tones that ratchet up the tension and suspended dread on each pass. The piece is an exercise in sustained tension. A storm cloud that builds and builds but never quite breaks.
Side B - "Infinity Cymbals" is a propulsive, longitudinal composition that grows out of a slight pulse of a bass line until it accrues more and more audio fragmentation, including the strangled clang of underwater solo line that spirals into an all-is-lost squall. All of this is sustained by some truly effulgent and golden drones, a gilding that suggests wonder and connectedness in defiance and struggle.
A truly mesmerizing fork-in-the-road in one of most undersung but praiseworthy groups putting out music today.
Less talk, more rock. For the second episode of the Tome to the Weather Machine Podcast I delve into some of 2016's unsung heroes of Indie Rock. You'll notice the improved audio quality. I produce all of these at the Hamilton County Public Library. Thanks tax payers!
019 - Talk Break
Tome to the Weather Machine Podcast rides again! Welcome to the revamped, reenergized, soon-to-be improved podcast from Tome to the Weather Machine covering a wide variety of experimental releases from around the world. From here on out this will likely be the form of the Tome. This format allows me to cover more releases and not totally exhaust my adjective bank of describing experimental music. Enjoy.
A note on the audio quality. Bear with me on this. Next week I will have access to some higher quality recording equipment.
0:31 - Intro
13:50 - Hazy Montagnue Mystiques - "Sous le Soliel" - Les Vacanes Psychedeliques (Never Anything Records)
17:26 - Reighnbeau - "Hide" - Hide (Self-Released)
21:20 - Erasurehead - "The Ceremony of Friendship" - Yauhtli (Plume)
24:34 - Talk Break
41:14 - Talk Break
42:02 - The Gate - Rembrandt von Schlippenjov - Live! (Tubapede)
51:44 - Philippe Vandal - "L'Action (Troisième Partie)" - L'Action (Never Anything)
57:00 - Shane Parish and Frank Rosaly - "Hera" - Labrys (Cabin Floor Esoterica)
1:01:35 - Omrr - "The Rise & Fall of Cairo" - Music for the Anxious (Eilean Rec)
1:08:03 - Problems that Fix Themselves - "Clogsvert" - The Mold Will Die (A Giant Fern)
1:13:01 - Interstates, Etc - "Ten of Cups" - Queen of Wands (Jungle Crunk)
1:21:19 - Jeremy Bible - "Centaurus A" - Music for Black Holes (Aole)
Sister Grotto - You Don't Have a House to Be Haunted (Self-Released)
As I am writing this, the Denver Police and Fire Department are rooting through the personal detritus of a collective living and art space known as Rhinoceropolis and GLOB in Denver's RINO district. 11 years of artists manifesting their lives into their existing space being blithely ransacked and mocked by the overreach of the State attempting to control culture. The outcasts being cast out again. Being slammed against lockers and having your front door padlocked, the song remains the same.
Madeline Johnston, a resident of Rhinoceroplis for the past year and a half, was displaced as part of this wave of raids. But it seems fitting that, in the wake of violence writ large upon our communities, this album reminds me of how much music is embodied by the people and the spaces it is created in. But even when they take those spaces away it still reverberates through a collective dust and cigarette smoke that clings to our clothes for years to come. A structureless haunting. In 2015 I was made aware how significant music could be in navigating personal tragedy, in 2016... I just want to hug all my friends. Music is all we got.
MJ Guider - Precious Systems (Kranky)
HEXA - Factory Photographs (Room40)
A dream collaboration between Australian drone heavyweight (and straight up wonderful human being) Lawrence English and Xiu Xiu frontman Jamie Stewart reimagine and intepret the dying gasps of the industrial age documented in David Lynch’s series of black and white photographs of post-industrial wastescapes with the clang and suffocating denseness of those monolithic structures that swallowed humanity from 9-5. It’s a driving, abrasive and towering noise record that tells truths about who we are with what we leave behind.
Horse Lords - Interventions (Northern Spy)
A pummeling, marathon-length excursion into sax-led arrangements that blur the line between improvised chaos and tightly composed kraut genius. Self-generating landscapes of propulsive minimalism that warps into a droning raga, entire super-structure movements made out of a billion moving parts. The best of a pack of especially great releases for Northern Spy.
Marielle V Jakobsons - Star Core (Thrill Jockey)
Part of the incredibly exciting cohort of artists surrounding Mills College in Oakland, Star Core is a high-concept electro-acoustic album that bends and folds Jakobson’s synth lines around a variety of arrangements: Japanese fretless electric bass, cinematic violin strings and her airy, holy-space making voice. “Star Core” the eponymous song explodes in highly evocative bowed strings and arpeggiated synths that score the long-awaited return of a spaceship caught in blackhole.
Eluvium - False Readings On (Temporary Residence)
Striking a balance between Eluvium’s inherently emotional ambient works and his highly sentimental composed works, where False Readings On seems like it should dial it back a bit on the colossal heft of, let’s say, an disembodied operatic voice spiriting through crackle of a dead radio or the heavy major chord reverie of sanded-output synthesizer, Eluvium doubles down, charging through any accusations of manipulation and imprinting straight on the emotional map of your brain that leads to the purest sepia-toned memories of Malick-level cinematography.
LGBTQ youth make up only 7 % of the entire youth population, but represent 40 % of all reported homeless youth.
Think about that. Almost half of all homeless youth in this country identify as something other than straight.
In my professional life I work as a case manager for homeless youth at a shelter in Cincinnati, OH. In those statistics I am reminded of some painful anecdotes that illuminate the lives behind those numbers.
I am reminded of when I worked in homeless outreach in Salt Lake City, UT. A young, well-dressed man was dropped off in front of our shelter with a roller backpack and Armani shirt as a black Suburban peeled away from our parking lot. He said to us, in a shaking voice, that he was kicked out of his house today because he came out to his Mormon family.
Currently, a young trans-woman facing dead-end after dead-end from employers in Cincinnati. The anxiety she has that she will lose her apartment once the one month subsidy we were able to secure is palpable.
A young gay client of mine who was tortured - suffering permanent vision problems from having the contents of a ramen noodle spice packet poured in his eyes while held down by his peers.
Trans individuals facing housing barriers. Homeless shelters as unsafe and psychologically triggering places for people with PTSD due to a lifetime of being mis-gendered and physically attacked for who they are.
These are the most vulnerable and resilient people I've ever met.
Jason Harris known under his musical moniker Public Speaking has created an album that speaks, in acute detail, to the physical and psychological violence perpetuated against the bodies and identities of our LGBTQ brothers and sisters. It is an intensely personal and acutely-aimed political album that ascribes the most intimate violence perpetuated against a person to a culture writ large.
It is with the greatest honor that the Tome is partnering with Public Speaking, Floordoor Records and our longtime friends Already Dead Tapes to premiere this remix album of Public Speaking's 2016 masterpiece "Caress, Redact". All proceeds from this album will go to the NYC organization New Alternative for LGBT Homeless Youth which serves to, "increase the self-sufficiency of homeless LGBT youth and to enable them to transition out of the shelter system and into stable adult lives. We do this by providing case management, education services, life skills training, community-building recreational activities, opportunities for self-expression, and support services for HIV+ youth. Our guiding principles are those of harm reduction, youth development, and empowerment."
The remix album itself explodes the intensely personal and noise-laden compositions by a series of remix collaborators that break and rebuild Harris's tracks from the ground up while keeping his voice at the front and center. Jeremy Bible turns the textural crunch of "Blacksite Blues" into the highly cinematic stabs of a tightly composed string section, the pitch-shifted mutations of More Eaze on "Shifting Weight", the beautiful, operatic rededication of ARIADNE's "Blacksite Blues" weighed against sizzling black noise, to Umin's chopped rendition of "Caress, Redact".
Listen and purchase.