Using the notoriously fickle Max / MSP the Japanese artist Hiromu Yamaguchi creates a deeply rhythmic soundscape like pulsing sonars in the deep Mariana Trench of his composition. Fragments of noise and digital deitritus slowly rise and sink as the track eventually catches a glitched groove. A fully engaging piece of experimental electronic music that hurtle notes and melodies through a particle accelerator, allowing the listener to hear their ghostly presence as they fly by.

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