Hands down the best band working in the realm of heavy music, Divide and Dissolve return with “Denial”. “Denial” is encapsulates Divide and Dissolve’s message in such a potent way that it might be easy to miss…and that’s the point. According to Takiaya Reed (saxophone, guitar, live effects/ (Black & Tsalagi [Cherokee]) and Sylvie Nehill (drums, live effects/ (Māori) “The act of denial is one of the most powerful mechanisms of the colonial project. Black, Indigenous, and people of color are continuously being presented with elements of denial that contribute to the ongoing genocide and dispossession of our people, land, water, and spirit”

Divide and Dissolve treatise is to use their music to “to undermine and destroy the white supremacist colonial framework and to fight for Indigenous Sovereignty, Black and Indigenous Liberation, Water, Earth, and Indigenous land given back.”

The uneasy sax that morphs into crushing, bone-rattling riffs are matched with vibrant shots as the camera “We follow the Huka falls/Waikato awa (Waikato river) up stream to settle into Taupo-Nui-A-Tia moana (Lake Taupo”. According to director Amber Beaton – “I understand and appreciate the message behind the music and I wanted to make sure the video held the same intentions no matter how subtle. For instance, we start off with a shot of a Kōwhai tree. Native to Aotearoa, Kōwhai in bloom signifies to Māori that some seafood is ready for harvest, the roots can be used to make fishing hooks, the sap on the sunny side of the tree can be used to heal wounds… but the vibrancy of the yellow flower was also the first thing Captain Cook saw when he arrived on the shores of Aotearoa signalling the start of colonial violence on this whenua/land. The changing colours of its flower in the video represents our change as a country and as people since that fateful arrival.”

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